| Bass EffectsOnline Catalogue | Effects | Bass Effects  | | If a lack of money and floor space is all that's been standing between you a roomful of vintage guitar amps and effects pedals, get ready to love the BASS V-AMP. It comes loaded with 32 amp models, 23 speaker cabinet models and 16 classic effects. The BASS V-AMP's 32 amp models are organized into three groups: ACOUSTIC, KEYBOARD and GUITAR. Just twist the dedicated dial to plug into unbelievably authentic simulations of the greatest bass sounds from the 1950s to today. When you select an amp model, a speaker cabinet model is automatically selected. But if you'd prefer a different model, just go to EDIT>CABINETS, then use the BANK UP/DOWN buttons to navigate through all 15 options.
Just like on an actual bass amp, you've got a three-band EQ, GAIN, VOLUME and MASTER VOLUME dials. There's even a COMPRESSOR dial for tight, smooth tone with a variable attack. By holding the TAP button, the TREBLE dial becomes a PRESENCE control. This enables the adjustment of a high-frequency filter that can add or remove a "shimmer" from the BASS V-AMP's tone. The BASS V-AMP gives you flanger, chorus, reverb, delay and 12 other beautiful digital effects to apply to your sound. Adjust the effect's level in the mix via the EFFECTS dial. To adjust effect parameters, you can rhythmically press the TAP button to alter delay times or LFO speeds, or hold down the TAP button and twist the EFFECTS knob to access e.g. feedback or depth. By using a MIDI pedal, such as the BEHRINGER FCB1010, you can access an additional Wah Wah effect. You can adjust the filter characteristic by entering EDIT mode, selecting the DRIVE menu and turning the EFFECTS knob while holding the TAP button. All of these elements have been combined into 125 different presets divided into 25 banks, accessible through the BANK UP/ BANK DOWN buttons. Within each bank, you can press buttons A through E to explore its different presets. You can also create and save your own presets. Start by selecting a preset, then making any changes you wish: amp, EQ, effect, etc. The preset LED will begin to flash, indicating that the BASS V-AMP is ready to save your settings. To do this, hold the preset button down for about two seconds. Once the LED stops flashing, you have saved the modified preset. On top of all this, the BASS V-AMP also features a built-in tuner and noise gate. In essence, it's a Swiss Army Knife for the home recording enthusiast or gigging bassist who can't seem to settle on one amp. The BASS V-AMP features several configurations that make it an invaluable asset in the studio. Access the configuration menu by pressing the B and D buttons at the same time. Then use BANK UP and BANK DOWN to select a configuration.
When using headphones, the BASS V-AMP will switch into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects, amp and speaker modeling. It doesn't apply the additional three-band EQ to the signal, but most recording programs—like energyXT2.5— have their own EQ. In Studio Mode 2 (S2), the BASS V-AMP sends a signal with amp and speaker simulation, but only the right output has effects. You can either record both left and right outputs to separate tracks, or record the "dry" left output while monitoring the right output. The BASS V-AMP has three live configurations. When performing live with this device, you can either run it to an amp on stage, run directly to the mixing board, or both. Live Mode 1 is the best choice for running the outputs directly to the mixer, because it applies amp and speaker simulation, effects and an additional 3-band EQ.
Use Live Mode 2 to run the BASS V-AMP into the effects return inputs of 2 different guitar amps. This configuration does not feature speaker simulation, allowing the amplifier's natural speaker sound to go unaltered. In this scenario, the amps would be mic'd on stage to get the sound to the house speakers, and having a dedicated monitor would be less important. In Live Mode 3, you can send the left output to an amp's effects return for onstage volume, while the right output sends signal to the main mixer for inclusion in the main house mix. Also note that you can press the TAP key while turning the GAIN knob to adjust the input sensitivity to match the output of your guitar's pickups. If the CLIP LED lights, the input's sensitivity should be reduced. The BASS V-AMP comes fully equipped to fit right into a MIDI (Musical Instrument Digital Interface) setup. It can be controlled in real time from a computer, or via a MIDI foot controller during a live performance. Its MIDI connectors are international-standard 5-pin DIN connectors. You will need dedicated MIDI cables (not included).
The MIDI IN jack receives MIDI controller data. It can be adjusted in EDIT mode by pressing the A button and then using the arrow keys. MIDI OUT/THRU sends data to a computer. You can transmit both preset data and parameter changes. Some people even use the BASS V-AMP as a remote control for parameters of their DAW or VST instruments, which is more handy than using the mouse alone. If set to MIDI THRU, the BASS V-AMP does not send its own MIDI information, but passes on the signal received at the MIDI IN connector. It's hard enough finding another virtual bass amplifier with this much versatility, let alone one as economical as the BASS V-AMP. This go-anywhere, do-anything wonder will leave you reeling in your own creativity, with cash to spare for other gear you'll need along the way to becoming a sonic titan both live and in your home studio. 32 authentic virtual amp models can be combined with any of the 23 speaker cabinet simulations, noise reduction, compressor, wah-wah, distortion pedal simulations and one of 16 multi-effects
125 memory locations, divided into 25 banks with 5 presets each
Stereo aux input lets you plug in and play along with a CD, drum computer, or MIDI playback for practice, teaching and home-recording applications
Stereo output features dual ¼" TRS jacks which can be used as +4 dBu balanced or -10 dBV unbalanced outs
Auto-chromatic tuner
Dual footswitch permits toggling between five preset sounds within one bank without any MIDI programming (included)
MIDI implementation includes program changes, control changes and Sysex, allowing complete MIDI automation
16 analog and digital multi-effects including ultrabass, synth, delay/loop sampler, chorus, flanger, rotary speaker, voice box, auto wah, phaser, ambience and reverb
4 renowned distortion and overdrive stomp boxes with adjustable DRIVE, TONE, BOOST and SPLIT
Wah-Wah pedal and studio compressor effects
PRESENCE, DEEP and sweepable SHIFT/SHAPE controls for all amp models
Studio-quality noise reduction, based on the renowned BEHRINGER SNR2000
Sweepable 24 dB Butterworth frequency crossover
Conceived and designed by BEHRINGER Germany
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|  |  | | Is your bass sounding a little too…normal? Inject it with a dose of the Ultra Bass Flanger BUF300 and watch as your once-tame low end melts into a bubbling tar pit. The BUF300 allows you to add the swirling sound of flanging to your bass, without sacrificing bottom end and clarity. From mild to wild, the dedicated RESONANCE, RATE, DEPTH and MANUAL controls give you the flexibility to create your very own brand of low-end lunacy. Designed to withstand the rigors of the road, the BUF300’s build quality is second to none. A bright, blue status LED tells you when this stomp box is working its magic (although the circling alien spacecraft might be your first clue), and the first-class electronic on/off switch maintains incredible signal integrity in bypass mode. You can power the BUF300 with either a 9 V battery or our PSU-SB DC power supply (not included). Take off with flanging jet sounds, thick chorus, vibrato and short delay effects
This BEHRINGER product has been designed to compete head to head with leading products on the market
Retains your original bass punch and clarity without affecting the bass fundamentals
Dedicated Resonance, Rate, Depth and Manual controls for awesome sound shaping
Blue status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for highest signal integrity in bypass mode
High quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
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| |  | | Get rich, tube-like distortion, smooth sustain and super-fat tone! Here’s an overdrive pedal that supports the entire frequency range of bass guitars, even 5 & 6-stringers. The best part of all, the BASS OVERDRIVE BOD400 was designed specifically for bass, so the bottom-end won’t drop out when you pull the trigger. One of BOD400’s coolest features is its BALANCE control, which lets you mix the overdriven signal with your natural bass sound for superb clarity, punch and extraordinary character. That way you can add the perfect amount of tube-like tone, without sacrificing all of your precious low-frequency content. BOD400’s overdriven tones range from a slight grind to the syrupy-thick sound of a tube stack just before meltdown. You also get exceptional tone sculpting, thanks to an onboard 2-band EQ, so you won’t have to worry about your low “B” getting lost in the mix. Get tube-like distortion, smooth sustain and super-fat tone
This BEHRINGER product has been designed to compete head to head with leading products on the market
Unique Balance control to blend between overdriven and dry bass sound for maximum punch
Dedicated Level, 2-band EQ and Gain controls for awesome sound shaping
Blue status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for highest signal integrity in bypass mode
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
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| |  | | Do you find it hard to get the perfect sound from your bass? Maybe your bass seems to virtually disappear in some rooms; then again, it feels like a runaway locomotive in others? The problem’s not your bass—you need an equalizer! The BEHRINGER BEQ700 can resurrect your bass, providing total control over your tone, no matter what the performance situation. You can instantly improve the sound of your band from the bottom up, with the BEHRINGER BEQ700. With 15 dB available boost or cut per band (that’s a lot!), the BEQ700’s seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even 5 & 6-string instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.
The BEQ700 covers the audio spectrum from below 50 Hz to over 10 kHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all. Most performers don’t have a clue about what good equalization can do for their sound. Maybe you’ve heard the old maxim, "Make a sine-wave to get really good sound," or "Make a smiley-face, that always works." Sadly, this qualifies as advice from the uninformed. Just as every room is different, every musical instrument is unique. Even guitars and basses made by the same manufacturer, using the same materials, on the same day can vary a great deal.
People provide a good example of this principal although we are all similar, we don’t all wear the same size shoes, or even have the same color eyes. There is no one "perfect" equalization curve that fits every scenario; equalization is dynamic. When frequencies from 20 Hz - 200 Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low frequency response.
The fundamental notes of most basses fall within the 100 Hz - 1000 Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500 Hz to 1000 Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are offending and by turning up the overall volume, rather than boosting one specific band.
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble" and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard" bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss. Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market *
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
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| |  | | Guitar volume pedal, equipped with a jack socket for input and one for output. The pedal-guitar-amplifier connection is made through two cables that link the pedal input to the guitar output or any other instrument with mono output and the pedal output to the amplifier’s input.86 (W) x 198 (D) x 60 (H) mm.
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