| | Please Note: LAST ITEMS and FREE SETUPS - CLICK HERE | These items may be showroom models and therefore may not come in their original packaging. If you want to purchase an item in its original packaging please email sales@bandtmusic.co.uk or call 01424 434480 to request a newly packaged item. We may have duplicates or be able to quickly order this product from our suppliers. Showroom products are sold as new unless otherwise stated. This item is fully guaranteed as a new product from your purchase date. Any dust and finger marks this item has accumulated whilst on display shall be cleaned off before dispatch. We set up all of our showroom stringed instruments before sale so if you do buy one of these from us, you can rest assured it has been checked over for you. On request, any newly boxed stringed or showroom instrument can be opened, checked and set up with your choice of strings (please see our strings section in accessories for the brands and gauges we stock) or otherwise you can post us your own strings. If you wish to take advantage of this service please specify your setup preferences. We will need to know: - 1. Tuning - if an alternative to standard tuning is required please specify 2. Desired action - low as possible, low, medium, high, very high and flat (slide guitar) or measurements may be provided. We will contact you before dispatch if we think you may be unhappy with the result. Any other item can also be opened and checked on request. [Hide] |
MixersOnline Catalogue | Recording And Studio | Mixers  | | The S-Mix is a 5-channel compact mixer packed with high-end mixer features. The S-Mix features a balanced microphone input on an XLR connector and includes phantom power for connecting condenser microphones. There are two Super-Z, high impedance line inputs on 1/4-inch connectors. There is a stereo channel with two inputs on RCA connectors. Individual volume controls for the mic, lines and stereo channels are also included for enhanced control over the connected signals. And just because this unit is miniature, don't be surprised by its great sound and reliability thanks to high quality components and solid build construction.
5-channel mini mixer
XLR balanced microphone input with volume control
RCA stereo inputs with volume control
1/4" stereo inputs with volume control
RCA stereo outputs
1/4" stereo outputs
18 Volt AC adapter included
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|  |  | | A 4-channel headphone amplifier ideal for home recording.
Features
4-channel headphone amplifier
Four 1/4" stereo headphone outputs
Individual volume control for each headphone output
Stereo 1/4" input
18 Volt AC adapter included
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| |  | | Take the headache out of headphone monitoring with the perfect compact headphone amp. With the ability to personalize mixes, control individual volume and tone, and plug in eight sets of phones at once, the C-que8 is the single solution to multiple monitoring issues. The C-que8 is a four-channel headphone amplifier that gives you fine-tuned control over individual levels and mixes. In addition to eight outputs, we've included independent volume control on each channel and a 6-segment LED indicator that shows the output for each channel, bringing the visual element to your audio. The channels also have a shape EQ switch to reduce the mid range and offer tone control for each channel, so listeners can manage their own personalized mixes. There is a main volume control as well to give you the option for overall level adjustment. Link outputs also allow the use of more than one C-que8 in the instance of large-group monitoring.
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| |  | | The ProFX8 offers a complete and truly professional feature set, perfect for solo performers, small performing acts or any small venue that needs it all, without the hefty price tag. There’s even USB I/O for recording the set. The “Pro” in ProFX stands for Pro. Professional tools, rugged build quality, small footprint…everything you need.
The ProFX8 is fully stocked, featuring four Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated effects, precision 7-band GEQ and more. All of these great features are housed in a rugged enclosure, in true Mackie “Built-Like-A-Tank” tradition. The ProFX8 has the right set of great-sounding tools to make your gig sound better and run smoother.
Live Sound Toolbox
Your job is to make things sound good. Maybe you’re a solo performer playing covers at a Vegas hotel bar. Perhaps you have the honor of being the “engineer” of your band and not only do you play bass, you’re also in control of the mix. No matter what the situation is, you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. The ProFX8 comes with all these features—it is truly the perfect live sound toolbox.
“Gig-Ready” RMFX™ Effects
The all-new RMFX™ (Running Man FX) 32-bit effects processor brings “Gig Ready,” useable effects to your mixes. Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability. Small, medium and large room reverbs with a mix of a warm and bright characteristics puts your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Basically, we’ve delivered the choicest parts of a full rack of gear, right at your fingertips, that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.
Record and Stream via USB
With all the right tools for the job, the ProFX8 allows you to create memorable mixes, but even with all those features, portability is paramount and you can’t be burdened with lugging around additional equipment. No worries, integrated USB I/O takes the pain out of recording. Just connect the ProFX8 to a laptop, start up your included copy of Tracktion 3 Music Production Software (or almost any DAW software out there) and you can record the whole mix. You can even stream music from your laptop during breaks. Once you get home, record more tracks or use the ProFX8 to playback some tunes during the next BBQ. Unless you’re a vegetarian…not that there’s anything wrong with that.
The innovative “USB Thru” switch allows for an impressive live/recording setup when using performance software like Ableton Live or Reason. When gigging, stream the output of your performance software (or iTunes, for that matter) into the ProFX8. Combine that signal with anything plugged into the mixer, and send the whole thing back to the computer for recording. Archiving your integrated live performances has never been easier!
Legendary Mackie Durability
Mackie is known for building mixers that are “Built-Like-A-Tank” and the ProFX8 is no exception. All of its tender bits are securely encased in a solid steel chassis. No only that, the impact-resistant side pieces are made of ultra-tough ABS, adding extra protection where it is most likely to fall…not that you drop things.
PA Made Painless
Simple is better. A utility mixer like the ProFX8 is an integral part of a ludicrously simple Mackie PA system that sounds great. The only choice is whether to go “active” or “passive” with your loudspeaker setup.
Active— Just add Mackie SR, SA, SRM Series Active Loudspeakers or SWA Series Active Subwoofers
Passive — Add a Mackie FR or FRS Series Stereo Power Amplifier and S200 or C Series Precision Passive Loudspeakers
The legendary quality of Mackie loudspeakers combined with the utility of the ProFX8 is a lethal combination that will suit just about any size venue. Just add enough speakers, and you’re golden.
Budget Friendly
The ProFX Series Compact Effects Mixers strike the perfect balance. They offer all the right tools to get the job done well, sport the popular compact footprint that Mackie is known for and are also the most budget-friendly of all the Mackie sound reinforcement mixers. Our competition either doesn’t have the expansive feature set of the ProFX Series, or they simply will not survive the test of time. You are investing in your mixer and the ProFX will be there for you at every gig, ready to roll.
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| |  | | The ProFX12 is the perfect choice for smaller performing acts, solo performers or for small venues that don’t have the budget or space for a ton of outboard gear. The ProFX12 has everything needed to make your gig sound great and is really easy to operate. Plus, USB I/O lets you record the show or stream music straight from a laptop. The “Pro” in ProFX stands for Pro. Professional tools, rugged build quality, small footprint…everything you need.
The ProFX12 is loaded with six Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated “Gig-Ready” effects, precision 7-band GEQ and more. The ProFX12 has all the right tools, each and every one designed to sound great. Plus, everything is housed in an ultra-tough enclosure with additional impact-resistant sidecheeks, protecting your investment from the rigors of the road.
Live Sound Toolbox
Smaller performing acts typically play in places that may not have an engineer on hand. In fact, someone from the band might have double-duty as “The Sound Guy” for the group. If you are reading this, chances are that’s you. Let us pander to your obviously higher intellect… you are a professional and you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. Sounds good, right? The ProFX12 comes with all these features—it is truly the perfect live sound toolbox.
“Gig-Ready” RMFX™ Effects
The all-new RMFX™ (Running Man FX) 32-bit effects processor brings “Gig Ready,” useable effects to your mixes. Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability. Small, medium and large room reverbs with a mix of warm and bright characteristics puts your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Basically, we’ve delivered the choicest parts of a full rack of gear, right at your fingertips, that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.
Record and Stream via USB
With all the right tools for the job, the ProFX12 allows you to create memorable mixes, but even with all those features, portability is paramount and you can’t be burdened with lugging around additional equipment. No worries, integrated USB I/O takes the pain out of recording. Just connect the ProFX12 to a laptop, start up your included copy of Tracktion 3 Music Production Software (or almost any DAW software out there) and you can record the whole mix. You can even stream music from your laptop during breaks. Once you get home, record more tracks or use the ProFX12 to playback some tunes during your next party. Unless you’re anti-social, don’t have the right kind of place for a party or are just sick of buying food and beverages for everyone. In that case, you can play back whatever talk-radio show you listen to when alone.
Not only that, the innovative “USB Thru” switch allows for an impressive live/recording setup when using performance software like Ableton Live or Reason. When gigging, stream the output of your performance software (or iTunes, for that matter) into the ProFX12. Combine that signal with anything plugged into the mixer, and send the whole thing back to the computer for recording. Archiving your integrated live performances has never been easier!
Legendary Mackie Durability
Mackie is known for building mixers that are “Built-Like-A-Tank”, and the ProFX12 is no exception. All of its tender bits are securely encased in a solid steel chassis. No only that, the impact-resistant sidecheeks are made of ultra-tough ABS, adding extra protection where it is most likely to fall…not that you drop things.
PA Made Painless
Simple is better. A utility mixer like the ProFX12 is an integral part of a ludicrously simple Mackie PA system that sounds great. The only choice is whether to go “active” or “passive” with your loudspeaker setup.
Active— Just add Mackie SR, SA, SRMv2 Series Active Loudspeakers or SWA Series Active Subwoofers
Passive — Add a Mackie FR or FRS Series Stereo Power Amplifier and S200 or C Series Precision Passive Loudspeakers
The legendary quality of Mackie loudspeakers combined with the utility of the ProFX12 is a lethal combination that will suit just about any size venue. Just add enough speakers, and you’re golden.
Budget Friendly
The ProFX Series Compact Effects Mixers strike the perfect balance. They offer all the right tools to get the job done well, sport the popular compact footprint that Mackie is known for, and are also the most budget-friendly of all the Mackie sound reinforcement mixers. Our competition either doesn’t have the expansive feature set of the ProFX Series, or they simply will not survive the test of time. You are investing in your mixer and the ProFX will be there for you at every gig, ready to roll.
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| |  | | Desktop audio, solved.
The MultiMix 4 USB is a four-channel desktop mixer with a USB digital audio interface built in. This compact mixer is perfect for using in basic computer-recording setups, video editing and production studios, and portable podcasting setups because it outputs not only line-level analog audio, but also stereo 16-bit, 44.1 kHz digital audio over USB for low-noise, easy computer connection. You can also monitor back from your computer through the same USB connection.
The MultiMix 4 USB mixer has four input channels, all of which can accept a 1/4" line input. You can can plug XLR microphones into channels one and two, including condensers thanks to the mixer's switchable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input.
Channels one and two offer switchable high-pass filtering at 75Hz to eliminate low-frequency rumble, handling and wind noise. Each channel has an independent pan control and channels one and two provide high and low-shelving EQs. Channels one and two have independent gain trims, while channels three and four are configured as a stereo pair at the level and pan controls.
The MultiMix 4 USB has a two channel, five stage, multicolor LED meter for visual monitoring the main output level. A stereo, 1/4" headphone output has its own level control.
Four-channel mixer with USB stereo input and output
Low-noise digital 16-bit, 44.1 kHz signal on USB for easy computer interface
Four 1/4" line-level inputs plus RCA tape in/out
Two XLR mic inputs with gains, high-pass filters, and switchable 48V phantom power
High-impedance guitar input
Dual-band EQ on mic inputs
Multicolor LED metering
Main and headphone outputs with independent level controls
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| |  | | Record, mix and add effects all in one place.
This compact mixer with built-in effects doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs, such as a drumset, the MultiMix 8 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a wide range of effects, the MultiMix 8 USB FX delivers clean audio to your PA or recording system plus hassle-free computer connection.
MultiMix 8 USB FX features four XLR inputs with independent gain pots on channels one through four. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also available on all eight channels of MultiMix 8 USB FX. New to the MultiMix 8 USB FX is a high-impedance input on channel two, which allows direct connection of a guitar or bass; this is a great convenience for singer/songwriters looking to get a clean, "hot" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player.
MultiMix 8 USB FX includes an internal effects processor to quickly and easily add new colors to your mix. Reverb, Delay or Phaser can be dialed up simply by adjusting the pre or post fader knobs located within each channel strip. MultiMix 8 USB FX also contains Aux Out and stereo Returns, as well as, Insert jacks on channels one and two to allow for audio to be processed by external effects engines. MultiMix 8 USB FX gives you an impressive amount of routing options in such a compact size.
Like the other mixers in Alesis’ MultiMix USB series, including the MultiMix 4 USB and MultiMix 6 USB, the MultiMix 8 USB FX contains a complete USB recording interface. Musicians and engineers can plug the MultiMix 8 USB FX’s class-compliant USB connection into their Mac or PC without installing any software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 8 USB FX enables bidirectional stereo signal, so musicians can record the stereo Main output into their computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers.
A number of key design improvements are included on the MultiMix 8 USB FX. Enlarged knob-to-knob spacing improves ergonomics and in-use efficiency. The newly designed mixer introduces a sleek new appearance for the MultiMix series and incorporates new, removable end caps, which can be helpful for squeezing the MultiMix 8 USB FX into smaller spaces in tightly packed setups. In addition to its improved signal-to-noise ratio specifications, the new mixer consumes 36% less power than its predecessor for reliability and energy efficiency.
Eight-channel mixer with mic, line, and guitar-level inputs
16-bit, 44.1/48 kHz stereo USB output for easy recording and playback from your computer
XLR inputs with gain trim, switchable high-pass filters, and 48V phantom power
Works with iPad via Apple USB Adaptor (sold separately).
1/4-inch line-level inputs for instruments and high-impedance guitar input for direct-connecting guitars
Powerful EQ: three-band with sweepable parametric mids on channels 1 and 2, three-band on 3 and 4, two-band on 5 – 8
Built-in DSP effects with footswitch bypass control and Aux buss for external processing
Multicolor LED metering for visual level feedback
Main and headphone outputs with independent level controls
Class compliant, plug-and-play USB for Mac and PC interface without installing drivers
Includes Cubase LE software
INCLUDES:
MultiMix 8 USB FX mixer
USB cable
Power supply
Software CD
Quick start guide
Dimensions: (WxDxH) 10.25" x 10.75" x 3.25"
Weight: 4.9 lbs
Minimum System Requirements:
Mac: OS X
PC: Windows XP, Vista, or 7
USB port
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| |  | | The Soundcraft EFX Series combines all the features of the popular Soundcraft EPM mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼' metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone output.
Key Features
12 mono + 2 stereo channels
Built-in 24 bit Lexicon digital effects processor 32 FX settings
Tap Tempo and FX setting store function
1 FX send on each channel
1 configurable auxiliary bus
XLR-type and ¼" metal jack connector sockets RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs 3-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs
Ten-segment LED output metering Intuitive and comprehensive solo system Headphone output
Easily rack mountable
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| |  | | 8 total inputs
One MIC input channel with gold plated XLR and balanced Line input
Two stereo input channels with balanced TRS jack
Extremely high headroom offering extra dynamic range
Ultra-low noise discrete MIC pre-amps with +18V Phantom power
Balanced inputs for highest signal integrity and low-noise operation
Warm, natural 2-band EQ on mono channel
Peak LEDs on each channel
2-Track inputs with level control assignable to main mix, headphone outputs
Highly accurate 4-segment bar graph meters
Professional Mixing Features
The ZEPHYR ZMX52 is a 5-channel mixer with all the essential inputs, outputs, and EQ for solo gigs and multimedia studios. It features one mono channel with a microphone input (with Phantom Power), balanced TRS input, and a two-band EQ and a stereo channel. It also delivers two stereo channels with two balanced TRS inputs each. There's even two-track inputs for things such as audio playback. The ZMX52 is the perfect compact take-anywhere professional mixer.
Versatile Inputs and Outputs
The ZMX52 is the perfect mixer for quick, easy setups with no hassle. Not only can you can plug dynamic, condenser, and wireless microphones into the first channel, but you also get two stereo channel inputs for keyboards, drum machines, and other instruments. What's more, you can easily plug in your MP3 player, CD players, or audio from a DVD player into the CD/TAPE input. But, you also have a dedicated stereo output to send to a recorder in addition to the main stereo outputs. Choose the ZMX52 as the audio central command for your live performances, home studio, or video suite.
High headroom, low noise
Just because the ZMX52 is the smallest, most affordable mixer we make doesn't mean you have to make sacrifices. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZEPHYR ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time.
Visualize your mix
We designed every ZEPHYR ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you're working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you're hearing.
TECH INFORMATION
Mono channel (Ch. 1)
Microphone Input: Electronically balanced, discrete input configuration
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion( THD&N): ?0.005% at +4 dBu, 1 kHz
Gain range: 0 dB to 44 dB (Mic)
Maximum Voltage Gain: 74 dB Ch. Mic Input ? Main Mix out & Tape out, 80 dB Ch. Mic Input ? Control room & phones
SNR (Signal to Noise Rate): ?110 dBu
Phantom power (Mic Pin2/Pin3 and Pin1): +18 V
Line Input: Electronically balanced
Frequency Response: 20 Hz to 22 kHz, +/- 1 dB
Distortion (THD&N): ?0.005% at +4 dBu, 1 kHz
Gain range: 15 dBu to 30 dBu
Stereo channels (Ch. 2 - 5)
Line Input: Electronically balanced
SNR (Signal to Noise Ratio): ?110 dBu
Frequency Response: 20 Hz to 22 kHz, +/- 1dB
Distortion (THD&N): ?0.005% at +4 dBu, 1 kHz
Gain range: 0 dBu
Maximum Voltage Gain: 30 dB Ch. Line ? Main Mix out
Impedance
Microphone Input: 3.9 kOhms
All Other Input: 10 kOhms or Greater
Tape Out: 1 kOhms
All Other Outputs: 120 Ohms
Equalization
Mono channel: High ±15 dB @ 12 kHz, Low ±15 dB @ 80 Hz
Crosstalk
Adjacent Input: ?-80 dB @ 1KHz (Ch. 1 - 6)
Input to Output: ?-75 dB @ 1KHz (Stereo L/R, Ch. 1-4, Pan: panned hard left or right)
Main Mix Section
Output level: 0dBu Unbalanced, 1/4" Jacks
Max out: +22dBu Unbalanced, 1/4" Jacks
Noise (Bus noise): ?-90 dB @ 20 Hz - 22 KHz (channel & Main level at 0 dB, other at minimum, DSP mute)
Power and Dims
Power Supply: 18 V, 500 mA
Rated Power Consumption: 9 W
Dimensions (WxLxH): 128.1mm x 204mm x 38mm
Weight: 1.65 lb
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| |  | | 8 total inputs
2 mic input channels with gold plated XLR and balanced line inputs
2 stereo input channels with balanced TRS jacks
Extremely high headroom offering extra dynamic range
3-band EQ on each channel
2 AUX sends pre-channel for external effects and monitoring
Main output, control room, and headphone outputs
Professional Mixing Features
The ZEPHYR ZMX862 is an 6-channel, 2-bus mixer with the right amount of inputs, outputs, routing, and EQ for more intimate live performance reinforcement situations. It features two microphone inputs (with Phantom Power) with balanced TRS jacks, a three-band EQ and two AUX sends on each of the two mono channels and the two stereo channels, and even two-track inputs for things such as audio playback. The ZMX862 is the perfect compact take-anywhere professional mixer.
Versatile Inputs and Outputs
The ZMX862 is a step up from our ZMX52 that adds more inputs and an extra band of EQ as well as a switch for phantom power. Not only can you can plug dynamic, condenser, and wireless microphones into the first two channels, but you also get two stereo channel inputs for keyboards, drum machines, and other instruments. What's more, you can easily plug in your MP3 player, CD players, or audio from a DVD player into the CD/TAPE inputs. But, you also have two AUX sends that you can use to send streams of audio from your mixer to a digital effects unit, stage monitor, TV screen, or any number of sources. Choose the ZMX862 as the audio central command for your live performances, home studio, or video suite.
High headroom, low noise?
Just because the ZMX862 is compact, portable and affordable doesn't mean you have to make sacrifices. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZEPHYR ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time.
Visualize your mix
We designed every ZEPHYR ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you're working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red, yellow and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you're hearing.
TECH INFORMATION
Input Channels: Mono channels (Ch. 1 - 2)
Microphone Input: Electronically balanced, discrete input configuration
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ?0.005% at +4 dBu, 1 kHz
Gain range: 0 dB to 50 dB (Mic)
Maximum Voltage Gain: 70 dB Ch. Mic Input?Main MIx out & Tape out, 80 dB Ch. Mic input?Control room & Phones, 60 dB Ch. Mic input?Aux send
SNR (Signal to Noise Ratio): ?110 dBu
Phantom power (Mic Pin 2 / Pin 3 and Pin 1): +48 V - with switch control
Line Input: Electronically Balanced
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ?0.005% at + 4 dBu, 1 kHz
Gain Range: 15 dBu to 35 dBu
Stereo Channels: (Ch. 3 - 6)
Line Input: Electronically Balanced
SNR (Signal to Noise Ratio): ?110 dBu
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ?0.005% at + 4 dBu, 1 kHz
Gain range: -20 dBu to +20 dBu, 60 dB Ch. Line ? Main Mix out
Maximum Voltage Gain: 20 dB FX return ? Main Mix out, 20 dB RCA Tape input ? Main Mix out
Impedance
Microphone Input: 3.9 kOhms
All Other Inputs: 10 kOhms or greater
Tape Out: 1 kOhms
All Other Outputs: 120 Ohms
Equalization
Mono Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Stereo Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Main Mix Section
Tape, Aux, Phones Output
Output level: 0 dBu Unbalanced, 1/4" jacks, Max out +22 dBu Unbalanced, 1/4" jacks noise (Bus Noise): ?-90 dB @ 20 Hz - 22 kHz (channel & Main level at 0 dB, other at minimum, DSP mute)
Power supply: 18 V, 1500 mA
Rated Power Consumption: 18 W
Dimensions (WxLxH): 202mm x 250mm x 58mm
Weight: 3.75 lb
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| |  | | 12 total inputs
4 mic input channels with gold plated XLR and balanced line inputs
2 stereo input channels with balanced TRS jacks
Extremely high headroom offering extra dynamic range
3-band EQ on each channel
Integrated 24-bit Alesis digital effects processor with 256 choices (16 presets × 16 variations)
2 AUX sends pre-channel for external effects and monitoring
Main output, control room, and headphone outputs
Professional Mixing Features
The ZEPHYR ZMX122FX is an 8-channel, 2-bus mixer with all the inputs, outputs, routing, EQ, and effects you need for more intimate live performance reinforcement situations. It features four microphone inputs with balanced TRS jacks (two with Phantom Power), a three-band EQ and two AUX sends on each of the four mono channels and the two stereo channels, and even two-track inputs for things such as audio playback. The ZMX122FX is the perfect compact take-anywhere professional mixer.
256 Onboard Effects
Regardless of what you're mixing, give your mix a professional edge with 256 onboard 24-bit DSP effects designed in partnership with Alesis. Sure, we could have chosen some cheap, off-the-shelf effects to throw in, but instead we worked closely with Alesis, a company that has been setting standards for DSP technology for nearly three decades. Choose from room and space delays, small and large hall acoustics, plate and spring reverbs, flangers, chorus effects and more. The ZMX122FX offers 16 variations of 16 professional Alesis effects from which to build, tweak, and dial in your sound.
Versatile Inputs and Outputs
The ZMX122FX is the swiss army knife of your creative life needs. Not only can you can plug dynamic, condenser, and wireless microphones into the first four channels, but you also get two stereo channel inputs for keyboards, drum machines, and other instruments. What's more, you can easily plug in your MP3 player, CD players, or audio from a DVD player into the CD/TAPE inputs. But you also have two AUX sends that you can use to send streams of audio from your mixer to a digital effects unit, stage monitor, TV screen, or any number of sources. Choose the ZMX122FX as the audio central command for your live performances, home studio, or video suite.
High headroom, low noise
The ZMX122FX packs an enormous amount of features into a very compact space, but we took a no-compromise approach where the purity of your mix is concerned. This compact mixer brings the same standard of quality to your performances as our top-of-the-line models. All Alto Professional ZEPHYR ZMX mixers are designed with high headroom and ultra low-noise, discrete mic preamps so you always get the full dynamic range of your mix every time.
Visualize your mix
We designed every ZEPHYR ZMX mixer with your performance in mind. Sometimes venues are dark and it can be hard to see what you're working with. Alto Professional solves this problem by not only color coding each section of the mixer, but also by using brightly colored knobs so that you can easily find what you need to adjust before you ever lay a finger on the mixer. Our blue, red, yellow and white pots are instantly easy to identify in dim lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that compliment everything you're hearing.
TECH INFORMATION
Input Channels: Mono channels (Ch. 1 - 4)
Microphone Input: Electronically balanced, discrete input configuration
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ?0.005% At +4 dBu, 1 kHz
Gain range: 0 dB to 50 dB (Mic)
Maximum Voltage Gain: 70 dB Ch. Mic input ? Main Mix out & Tape out, 80 dB Ch. Mic input ? Control Room & Phones, 60 dB Ch. Mic input ? Aux send
SNR (Signal to Noise Rate ): ?110 dBu
Phantom power (Mic Pin 2 / Pin 3 and Pin 1): +48 V - with switch control
Line Input: Electronically Balanced
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ?0.005% at + 4 dBu, 1 kHz
Gain Range: 15 dBu to 35 dBu
Stereo Channels: (Ch. 5 - 8)
Line Input: Electronically Balanced
SNR (Signal to Noise Ratio): ?110 dBu
Frequency Response: 20 Hz to 22 kHz, +/-1 dB
Distortion (THD&N): ?0.005% at +4 dBu, 1 kHz
Gain range: -20 dBu to +20 dBu, 60 dB Ch. Line ? Main Mix out
Maximum Voltage Gain: 20 dB FX Return ? Main Mix out, 20 dB RCA Tape input ? Main Mix out
Impedance
Microphone Input: 3.9 kOhms
All Other Inputs: 10 kOhms or greater
Tape Out: 1 kOhms
All Other Outputs: 120 Ohms
Equalization
Mono Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Stereo Channels: High ±15 dB @ 12 kHz, Mid ±15 dB @ 2.5 kHz, Low ±15 dB @ 80 Hz
Alesis DSP Section
A/D And D/A Converters: 24-bit
DSP Resolution: 24-bit
Type of effects: Hall, Room, Vocal & Plate Reverbs Mono & Stereo Delay (max delay time 650 ms) Chorus, Flanger & Reverb modulations, Reverb+Delay, Reverb+Chorus, Reverb+Flanger combinations
Presets: 256
Controls: 16 x 16-position preset selector
Crosstalk: Adjacent Input ?-80 dB @ 1 KHz (Ch. 1-6) , Input to Output ?-75 dB @ 1 KHz (Stereo L/R, Ch. 1-4, Pan: panned hard left or right)
Main Mix Section
Tape, Aux, Phones Output
Output level: 0 dBu Unbalanced, 1/4" Jacks, Max out +22 dBu Unbalanced, 1/4" jacks
Noise (Bus noise): ?-90 dB @ 20 Hz ~ 22 KHz (channel & Main level at 0 dB, other at minimum, DSP mute)
Power supply: 18 V, 1500 mA
Rated power consumption: 27 W
Dimensions (WxLxH): 256mm x 250mm x 72mm
Weight: 5.07 lb
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Online Catalogue | Recording And Studio | Mixers | Please Note: LAST ITEMS and FREE SETUPS - CLICK HERE | These items may be showroom models and therefore may not come in their original packaging. If you want to purchase an item in its original packaging please email sales@bandtmusic.co.uk or call 01424 434480 to request a newly packaged item. We may have duplicates or be able to quickly order this product from our suppliers. Showroom products are sold as new unless otherwise stated. This item if fully guaranteed as a new product from your purchase date. Any dust and finger marks this item has accumulated whilst on display shall be cleaned off before dispatch. We set up all of our showroom stringed instruments before sale so if you do buy one of these from us, you can rest assured it has been checked over for you. On request, any newly boxed stringed or showroom instrument can be opened, checked and set up with your choice of strings (please see our strings section in accessories for the brands and gauges we stock) or otherwise you can post us your own strings. If you wish to take advantage of this service please specify your set-up preferences. We will need to know: - 1. Tuning - if an alternative to standard tuning is required please specify 2. Desired action - low as possible, low, medium, high, very high and flat (slide guitar) or measurements may be provided. We will contact you before dispatch if we think you may be unhappy with the result. Any other item can also be opened and checked on request. [Hide] |
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