| P.A. AccessoriesOnline Catalogue | Accessories | P.A. Accessories  | | Tubes can really warm up a signal fast, giving it depth and character. The two-channel BEHRINGER PRO MIC2200 injects your sound with this timeless tone in preamp, line driver and DI box applications. The MIC2200 is perfect for studio and live applications. The balanced 1/4" TRS and XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 for superior sonic character and low noise operation. The MIC2200 is great for adding a bit of “spice” to the sound of standard digital recorders and computer soundcards. And thanks to onboard +48 V phantom power, it can also add warmth to condenser mics.
For further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable center frequency, bandwidth and level per channel. Channels also feature a phase reverse switch. The MIC2200 gives you the sound quality of a vintage tube preamp at a mere fraction of what a true relic of the 1960s would cost. At a price this low, you owe it to yourself to find out where the MIC2200's real tube tone can take your sound. Discrete mic/line input stages with soft mute +48 V phantom power
Ultra-wide bandwidth from 2 Hz to 200 kHz for open sound
Two fully parametric EQ’s with adjustable center frequency, bandwidth and level
Built-in high-quality vacuum tube for outstanding, ultra-musical tube sound
Fully tunable and switchable 12 dB high-pass filter
Phase reverse switch per channel
Level conversion (-10 dBV to +4 dBu) and DI box functionality
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|  |  | | The ULTRA-DI DI600P is a passive DI (Direct Injection) box for connecting a guitar, bass or keyboard directly to your mixer. With the DI600P as your go-between, impedance-matching problems become a thing of the past, and long cable runs will not sacrifice all of your precious tone. With its parallel 1/4" IN and OUT jacks, the DI400P allows you to plug in your instrument and send the same signal to your onstage amplifier, while the XLR OUTPUT sends a balanced signal to your mixer. A ground lift switch eliminates hum associated with ground loops and our high-performance transformer provides the ultimate in signal integrity. Just flip the INST/AMP switch and the DI600P can easily accommodate either the low-level signal of a high-impedance mic or guitar (INST mode), or the speaker output of a guitar amplifier (AMP mode). Even if your amp cranks out as much as 3,000 Watts, you get a perfect signal every time! Connect your guitar or bass directly to your mixer without losing tone due to impedance mismatches, long cables and cycle hum
Converts any unbalanced line-level signal to balanced mic-level output
Provides impedance and signal matching for the direct connection of instruments to amplifiers and mixers
Allows the use of long cables without losing high frequencies
Thru/Out jack lets you send the unbalanced signal to an onstage amplifier while the balanced signal is routed to the mixer
Switchable input for connecting instruments or amplifiers with outputs up to 3,000 Watts
Filter switch reduces annoying hiss and buzz
Ground lift switch eliminates typical ground loop problems such as hum
High-performance transformer for ultimate signal integrity
Ultra-compact, all-metal and road-suitable housing
High-quality components and exceptionally rugged construction ensure long life and durability
Conceived and designed by BEHRINGER Germany
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| |  | | The ULTRA-DI DI20 is a one-of-a-kind DI (direct injection) box that can convert up to two separate unbalanced 1/4" TRS lines into two balanced XLR outputs, or function as a signal splitter. Electric guitarists, keyboardists and bassists will love the flexibility this incredible box provides. By flipping a switch, you can use the DI20 as a launching pad for two separate mono signals, a stereo signal, or a split-signal feeding two separate amps. The DI20 also features a ground lift switch and the 3-position input attenuator can accommodate input levels of up to +48 dBu. This handy built-in attenuator allows you to connect to your amplifier’s speaker outputs, even amps rated as high as 3,000 Watts. You can power the DI20 with either a 9 V battery or your mixer’s phantom power supply (+18 to +48 V DC). The whole package is wrapped in an ultra compact, road-suitable and rugged metal housing. Converts 2 separate unbalanced 1/4' TRS line inputs into 2 balanced XLR outputs
Ultra-flexible: mono, 2-channel or stereo DI box operation with switchable Link mode
Additional Split mode (channel 1 assigns the signal to both XLR outputs)
Phantom or 9 V battery powered
Switchable input attenuation allows connection to outputs with up to 3,000 Watts
Input 2 usable as channel 1 Link output (additional to XLR output)
Ground lift switch eliminates typical ground loop problems
Ultra-compact, road-suitable housing
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
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| |  | | You need phantom power to take advantage of the rich, robust sound of condenser microphones. The ultra-compact PS400 provides the power you need to use your favorite condenser mics, and it's small enough to fit in your pocket. The PS400 features XLR THRU jacks and provides superb noise-free operation. Just connect your condenser mic to the MIC INPUT and send a line from the MIC THRU to your mixer. You can toggle between +12 V and +48 V power for maximum flexibility. This handy audio solution comes with a 12 V DC power supply and an LED to indicate when it is powered up. Universal phantom power supply for any condenser microphone
Selectable +12 / +48 V power supply
Ultra low-noise audio performance
DC 12-Volt adapter included
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
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| |  | | Tubes can really warm up a signal fast, giving it depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver superior sound. BEHRINGER's TUBE ULTRAGAIN MIC100 gives anything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable, affordable package. The MIC100 is perfect for studio and live applications. The balanced 1/4" TRS and gold-plated XLR inputs and outputs give you maximum flexibility in either scenario. It derives its personality from a hand-selected 12AX7 tube with UTC technology for superior tube character and low-noise operation. The MIC100 is great for eliminating the "dull" sound of standard digital recorders and sound cards. And thanks to onboard +48 V phantom power and 20dB pad, it can also add warmth to condenser microphones. When used as a high-end DI box, you get outstanding signal integrity.
Two cool vintage-style knobs control gain and output. There's also a switch for phase reverse and a limiter to prevent overloading the MIC100. An 8-segment LED meter provides accurate monitoring of output levels. The MIC100 gives you the sound quality of a vintage tube preamp at a mere fraction of what a true relic of the 1960s would cost. At a price this low, you owe it to yourself to find out where the MIC100's real tube tone can take your sound. High-end tube mic/line preamplifier for studio, live and hard disk recording applications
Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and lowest noise
The ultimate sound-enhancing tool for virtually any sound source
Perfectly complements studio-grade condenser mics
Usage as a high-end DI-box ensures outstanding signal integrity
Eliminates the "dull" sound of standard digital recorders and sound cards
Dynamic limiter effectively protects your equipment from overload
Phase reverse switch, +48 V phantom power and 20 dB pad for utmost flexibility
Balanced inputs and ouputs on 1/4' TRS and gold-plated XLR connectors
Highly accurate 8-segment LED level meter
Extremely wide-range input gain and output level adjustment
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| |  | | Make sure every cable in your arsenal is in good working order with the invaluable BEHRINGER Cable Tester CT100. This incredibly portable audio solution is a must-have for sound engineers and musicians alike.The CT100 accepts every type of cable you might use in a recording or live performance situation: XLR, mono and TRS phone (1/4", 1/8", TT), RCA and even MIDI. Choose from three modes: cable test mode, installed CABLE TESTER mode and TONE mode. The CT100 can check for continuity, intermittency, phantom power presence and grounded shields. Because this handy tool runs on two AA batteries, you can carry it in your pocket and be ready to troubleshoot at a moment's notice.The Cable Tester CT100 is the smart, portable and unbelievably affordable way to ensure your next show or recording session runs smoothly. It just may become the most important tool in your kit! Three modes: cable test mode, installed cable test mode and test tone mode
Accepts XLR, mono and stereo TRS phone ( 1 /4 ", 1 /8 ",TT), RCA and MIDI Connectors
Continuity check
Intermittent detect
Phantom power detect
Grounded shield detect
Test tone generation (1 kHz and 440 Hz)
Battery operation (requires two AA alkaline batteries)
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| |  | | A lamp on a flexible gooseneck to illuminate mixers, turntables, 19" racks and other types of equipment. It is powered by the unit to which it is connected. Lamp fitted
Power supply 12Vdc, 500mA
Gooseneck length 300mm
Lamp rating 12V, 5W
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| |  | | Looking for feedback control? Maybe you want easy to use compression? Or signal conversion for acoustic-electric guitars or other line-level instruments? Whether you use it with microphones, acoustic instruments, or even as a delay line for large venue loudspeaker systems, the SHARK DSP110 is a remarkable addition to your live and studio toolkit. Thanks to its intelligent "Learn Mode," the SHARK DSP110 can automatically equalize your PA and protect your sound system from feedback. BEHRINGER's search algorithm assures that feedback frequencies are attenuated within a fraction of a second, using narrow, 1/60 octave single-shot filters. The remaining 12 filters automatically take action as required. Only the specific frequencies that are causing the feedback are attenuated, leaving your music powerful and alive. Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The Shark's delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several Sharks with the optional rack-mount kit puts a complete professional speaker management system at your fingertips. The SHARK DSP110 sports servo-balanced inputs and outputs (XLR and 1/4" phone), which can be switched between line-level and mic level at the touch of a button. The DSP110 is a serial device, meaning it is inserted directly into the signal path. Just plug your mic or acoustic guitar into Shark’s input and connect the output to your mixer channel. Optionally, you can use your mixer’s channel insert loop to apply the DSP110 to the signal. You can even connect the DSP110 between the mixing console and a power amp.
The adjustable mic preamp with switchable +48 V phantom power and Ultra-Low Noise technology guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so the Shark can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted. Here are just of few of the SHARK DSP110’s built-in processors:
A fully automatic noise gate, with its own "Learn" mode, suppresses noise during silent passages, and prevents the resonance build-up associated with complex signals, such as acoustic instruments.
The High-Pass filter, with its freely adjustable cutoff frequency, can be fine-tuned to eliminate mic handling noise and wind noise, as well as a host of infrasonic anomalies. The compressor provides effective signal density enhancement and overload protection with 2 simple parameters: Density and Speed. The DSP110 is constructed using only the highest quality components. State-of-the-art 24-bit A/D (analog to digital) and D/A converters ensure optimal audio quality. The DSP110 gets its tremendous processing power from 24-bit DSP In spite of its compact dimensions, the Shark DSP110 offers maximum functionality and transparency of operation. A 6-segment LED chain with clipping indicator displays the internal level. An additional 12-segment LED chain indicates filter status, and a 4-digit multi-functional display assists in setting delay times, noise gate threshold, compression ratio, and subsonic filter cutoff frequency.circuitry from Texas Instruments.
Simply Amazing
Like a sonic Swiss army knife, you'll want the Shark DSP110 close at hand for all your gigs and studio engagements. In fact, you'll probably want several, which is why they are sized to fit five across your rack. Bait your hook and catch them at your local BEHRINGER dealer. Discrete ULN mic/line input stage with gain control and +48 V phantom power
Automatic FEEDBACK DESTROYER with learn function
Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec.
Noise gate with automatic and manual parameter adjustments
Super-musical compressor with variable density
Level conversion from line to mic level and vice versa
Subsonic filter with adjustable cutoff frequency
Rack-mount kit included with purchase of five DSP110’s
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| |  | | Externally mounted speaker top hat - black plastic - diameter: 38 mm / 1.5 in. Item supplied singularly (not a pair).
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| |  | | Heavy-duty steel speaker stands with folding legs - height range: 115 to 180cm (45 to 71 in.) by steps (5 positions) - 2 safety lockpins - tubing diameter: 35mm (1 3/8 in.) - ABS leghousing - rated load capacity: 45Kg (99.2 lbs) - weight: 4.2Kg (9.3 lbs) - accessory flange not included - colour: black - does not include carry bag.
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