| Recording And Studio AccessoriesOnline Catalogue | Recording And Studio | Recording And Studio Accessories  | |  ARTcessories - a full line of clever, affordable processing tools for live sound, stage, and studio. The ARTcessories line is designed to deliver solutions for a number of audio needs - like having phantom power, having one or two more mixing channels, testing cables, headphone processing, preamplification for microphones and turntables, and many more real-world applications. With their affordable prices and simple design, the new line of ARTcessories will satisfy the needs of working musicians and sound engineers everywhere. If you need a quality headphone processor for multiple performers, look no further - the HeadAMP V is your affordable solution! HeadAMP V features five headphone channels - each with its own level control. Additionally, it has 1/4" stereo out jacks and 1/4" TRS insert jacks on channels 3, 4, and 5 for adding reverb, EQ, or other external effects. Specification Detail Input Channels 2 Output Channels 5 Analog Inputs 2 x TRS, 2 x RCA Analog Outputs 5 x 1/4" Headphone Digital Inputs No Digital Inputs Digital Outputs No Digital Outputs Controls per Channel Volume Form Factor Desktop Height 1.25" Depth 4.75" Width 7.5" Weight 5 lbs. |
|  | | |  | | The USBDualTubePre is the ultimate compact dual channel tube preamp for any basic recording system. Capable of operating as a standalone unit with USB audio interface, or as an expander for any digital system with s/pdif digital input, each channel in the USBDualTubePre delivers superior tube tone in a fully featured input strip. Each input of the USBDualTubePre has independent input gain control and output level, phase inversion, low frequency roll-off, true 48v phantom power and a user defeatable opto-compressor circuit capable ensuring superior dynamic control or any input source. For monitoring, an 1/8-inch TRS mini headphone jack with level and monitor mix controls allow latency free local monitoring of the inputs while recording as well as playback monitoring of audio mix via the USB bus. The monitor mix is also routed to the 1/4-inch TRS balanced outputs with separate level control for control room monitor source. The USB interface is fully USB compliant. No special drivers are needed. Two channel Tube based Mic/Instrument preamp computer interface Extremely low noise discrete front end with variable input and output controls Advanced optical output compressor to simplify recording and prevent overload USB connectivity to desktop and laptop computers S/PDIF output for expanding inputs on digital workstations and computer interfaces Latency free Monitoring Mix and Level controls Balanced XLR for lo-Z applications and 1/4" hi-Z inputs for instrument DI applications Separate Gain, Phase Invert, Low Cut Filter and Compressor switches on each input Selectable Dual or Stereo operation of output controls Switch selectable Inserts on each channel Insert jacks provide a preamp direct out for each channel Stereo/ Dual operation of Optical Compressor Mono switch for single input monitoring S/PDIF Sample Rate switch selectable between 44.1K and 48K Precision LED metering of both the preamp and A/D sections Built-in low noise +48 Volt phantom power supply Compact, stackable all aluminum chassis |
| |  | | The ART Coolswitch A/B-Y Switch works two ways. It lets you switch a common source signal (guitar, bass or keyboard) between two amplifiers or amp channels. Or conversely, it lets you switch two source signals (ie, two different guitars) into the same amplifier. The ART Coolswitch A/B Y Switch provides LEDs showing you whether A, B or Y routing is in effect. The Y routing combines both the A and B outputs in parallel so that two amplifiers can be driven at once. The Coolswitch provides full A/B-Y switching functionality, plus parallel Common in/out jacks. The ART Coolswitch A/B-Y Switch main features include: LEDs A/B or Y indicators Parallel Common in/out jacks. Y routing combines A and B outputs in parallel 9V Required (included) Weight 1lb (454g) Dimensions 3.75 x 2.5 x 1.5 inches (90 x 63 x 40mm) |
| |  | | The ART Tube MP Studio V3 Pre Amp delivers warmth and fatness to any audio source while maintaining an exceptionally low-noise signal path. While its primary function is as a microphone preamp with +48V phantom power, variable gain and phase reverse switching, the ART Tube MP is also an exceptionally versatile tube driven direct box for any instrument source. The Tube MP Studio V3 uses ART’s proven V3™ (Variable Valve Voicing) Technology to instantly contour the tone to any source. V3™ presets were created and fine-tuned by some of the industry's top studio and live-sound engineers and allow instant access to a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. Additionally, the ART Tube MP Studio V3 employs OPL™ (Output Protection Limiting) technology to protect the next component in your signal path from clipping and overloads. The ART Tube MP Studio V3 offers exceptional sound quality and superior performance to that typically found in “on-board” preamps found in today’s low-cost mixers, multi-track recorders and audio cards making it an ideal tone-shaping tool for any application. Provides Superior Preamplification for: Microphones, Instruments and Line Level Sources V3™ - Variable Valve Voicing OPL™ - Output Protection Limiting Hand Selected 12AX7A Provides 70dB of Gain Smooth, Warm and Fat Sound Quality Variable Input and Output Gain Controls Excellent as a Tube DI XLR and 1/4" Inputs and Outputs +48 Volts of Phantom Power Phase Reversal Switch Portable, All Steel Construction Dimensions 5.0in D x 5.5in W x 2.0in H Dynamic Range >100dB (20Hz to 20kHz) Equivalent Input Noise -129dBu ('A' weighted XLR to XLR) Frequency Response 10Hz to 20kHz (+0,-1dB) Input Impedance 2k ohms (XLR), 840K ohms (1/4 in.) Maximum Gain 70dB (XLR to XLR typical) Maximum Input Level +14dBu (XLR), +22dBu (1/4 in.) Maximum Output Level +28dBu (XLR), +22dBu (1/4 in.) Output Impedance 600 ohms (XLR), 300 ohms (1/4 in.) Phantom Power +48 Volts Power Requirements 9 VAC @ 700ma (typ) Total Harmonic Distortion <0.1% (typical) >CMMR: >75dB (typ @1kHz) Tube Type Hand Selected 12AX7A, provides over 70dB of Gain Weight 1.5 lbs. |
| |  | | Tube Mic Preamp w/ 48V Phantom PowerThe Tube MP is the world's most popular external tube microphone preamp. Whether you're working with a digital, computer or analog recording system, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality. While its primary application is to be used with a microphone, the Tube MP is an exceptional direct box - impedance matching, amplifying and improving the sound of any instrument plugged into it. The usage of external mic/line preamps has become increasingly popular over the past several years. The Tube MP offers superior performance and sound quality to the 'on-board' preamps found in today's low-cost mixers and multi-trackers. It's sound has been consistently favored over other products costing upwards to ten-times its price. Professional quality sound combined with professional features like: a hand-selected 12AX7a tube, phantom power and phase reverse are what have made the Tube MP a staple in thousands of studios worldwide. For a minimal investment, a Tube MP can provide the single largest improvement to the sound of your studio. Features Provides Superior Preamplification for: Microphones, Instruments and Line Level Sources Hand Selected 12AX7a Provides 70dB of Gain Smooth, Warm and Fat Sound Quality Variable Input and Output Gain Controls Excellent as a Tube DI XLR and 1/4 inch Inputs and Outputs +48 volts Phantom Power Phase Reversal Switch Superior Sonic Performance to On-Board Preamps TEC-Award Nominated Design Portable, All Steel Construction |
| |  | | Use the ART SPLITCom Pro Microphone Splitter/Combiner to Split or Combine balanced low impedance microphone signals. As a Splitter: The SPLITCom Pro provides one direct-coupled output and one isolated output from a single microphone. Applications include sending the direct output to the main or FOH mixer, and the second isolated output to a monitor or recording mixer. The MAIN MIC OUTPUT passes phantom power from the main mixer to the MAIN MIC INPUT for use with condenser microphones. Phantom power is blocked from passing to the ISOLATED MIC OUTPUT. AS A COMBINER: The SPLITCom Pro provides one output from two microphone inputs. The PHASE switch can be used to invert the relative phase of the ISOLATED MIC INPUT. Applications include dual micing of percussion instruments, choirs, and instrument amplifiers. Phantom power passes through each output to their respective input, (MAIN to MAIN, ISOLATED to ISOLATED), however phantom power is blocked from passing between the MAIN and ISOLATED signal paths. Only the audio passes between the MAIN and ISOLATED signal paths (it is present on all inputs and outputs). The ART SPLITCom Pro Microphone Splitter/Combiner main Features include: Low Distortion with Wide Frequency Response Two Functions In One Box – Combines And/Or Splits Phase Invert Switch For Subtractive Combining Galvanic Isolation To Block Phantom-Power Between Channel Ground Lift Switch To Reduce Noise Due To Ground Loops |
| |  | | Record your microphone direct. MicLink makes it easy to direct-connect any dynamic microphone to USB for mono recording. The AudioLink Series USB-audio cable outputs studio quality 16-bit, 44.1 kHz digital audio thanks to its internal analog-to-digital conversion system. MicLink connects plug-and-play to your Mac or PC for an all-in-one USB audio solution. Microphone, mic stand and computer not included. Connect any dynamic mic to USB for recording 16-bit, 44.1 kHz digital audio output Internal analog-to-digital conversion system Plug-and-play connection for Mac and PC 16.5-foot length (5m) Compatible with most Mac and Windows (32-bit) class-compliant drivers and software |
| |  | | Record your mixer, keyboard, sampler, or drum machine in stereo to your computer. LineLink makes it easy to direct-connect nearly any mixers, keyboard, sampler, sequencer, drum machine, or other stereo, line-level audio source to USB for stereo recording. The AudioLink Series USB-audio cable outputs studio quality stereo, 16-bit, 44.1 kHz digital audio thanks to its internal analog-to-digital conversion system. LineLink connects plug-and-play to your Mac or PC for an all-in-one USB audio solution. Connect mixers, keyboards, samplers, sequencers, drum machines, or stereo, line-level audio source to USB for stereo recording Stereo, 16-bit, 44.1 kHz digital audio output Internal analog-to-digital conversion system Plug-and-play connection for Mac and PC 6.56-foot length (2m) Compatible with most Mac and Windows (32-bit) class-compliant drivers and software |
| |  | | Harness the power of your computer to create the ultimate tone. Shape your sound with the perfect tone -- using your Mac or PC! GuitarLink Plus combines Alesis’ GuitarLink guitar-to-USB cable with Native Instruments Guitar Rig LE software to empower every guitarist with the processing capability of his or her computer. GUITARLINK, THE USB GUITAR CABLE Whether you're recording, performing or practicing, GuitarLink Plus enables you to easily connect guitars, basses, and other instruments directly to your computer. GuitarLink Plus’ internal, analog-to-digital conversion injects studio-quality, 16-bit, 44.1 kHz digital audio straight to a computer without the need to install drivers. GUITAR RIG SOFTWARE Guitar Rig LE software shapes guitar sound with emulations of classic amplifiers and effects pedals. You can record your performances right in Guitar Rig and export it to your favorite recording software, or connect it to your amp or PA system for performance. Step into the world of computer processing and elevate your tone with GuitarLink Plus. |
| |  | | A 4-channel headphone amplifier ideal for home recording. Features 4-channel headphone amplifier Four 1/4" stereo headphone outputs Individual volume control for each headphone output Stereo 1/4" input 18 Volt AC adapter included |
| |  | | Take the headache out of headphone monitoring with the perfect compact headphone amp. With the ability to personalize mixes, control individual volume and tone, and plug in eight sets of phones at once, the C-que8 is the single solution to multiple monitoring issues. The C-que8 is a four-channel headphone amplifier that gives you fine-tuned control over individual levels and mixes. In addition to eight outputs, we've included independent volume control on each channel and a 6-segment LED indicator that shows the output for each channel, bringing the visual element to your audio. The channels also have a shape EQ switch to reduce the mid range and offer tone control for each channel, so listeners can manage their own personalized mixes. There is a main volume control as well to give you the option for overall level adjustment. Link outputs also allow the use of more than one C-que8 in the instance of large-group monitoring. |
| |  | | The S-Mix is a 5-channel compact mixer packed with high-end mixer features. The S-Mix features a balanced microphone input on an XLR connector and includes phantom power for connecting condenser microphones. There are two Super-Z, high impedance line inputs on 1/4-inch connectors. There is a stereo channel with two inputs on RCA connectors. Individual volume controls for the mic, lines and stereo channels are also included for enhanced control over the connected signals. And just because this unit is miniature, don't be surprised by its great sound and reliability thanks to high quality components and solid build construction. 5-channel mini mixer XLR balanced microphone input with volume control RCA stereo inputs with volume control 1/4" stereo inputs with volume control RCA stereo outputs 1/4" stereo outputs 18 Volt AC adapter included |
| |  | | As a regular feature of a club sound system or as a durable road piece the S-Direct is the only direct box you'll ever need. Features Perfect for stage and studio Switchable input level handles instrument and speaker levels 48 Volt phantom power or 9 volt operation with auto battery shut off Switchable ground lift 1/4" link output |
| |  | | The S-direct plus gives you all the same features of the original S-direct, but in stereo. It's like having two direct boxes in one, perfect for keyboard players, or any instrument with multiple outputs. Stereo direct box 1/4" linked inputs/outputs 48 volt phantom power or 9 volt operation with auto battery shut off Switch-able ground lift Gold plated XLR balanced outputs Solid extruded aluminum chassis with large rubber feet |
| |  | | The S-phantom gives you an in the field, on location solution for powering your condenser microphones that need 48 volt power Features 2 Channel 48 Volt phantom power supply 2 Balanced XLR mic inputs 2 Balanced XLR and 1/4" mic outputs AC adapter included |
| | | |  | | The Beyerdynamic 108669 DT100 Foam Insert Pads Pair. Replacement foam plate for the Beyerdynamic DT100 / DT102 / DT 108 / DT109 type headphones. The Beyerdynamic 108669 is a replacement foam plate for the Beyerdynamic DT100 / DT102 / DT 108 / DT109 type headphones. The foam insert sits infront of each headphone and has a tendency to go missing and go grubby through heavy use. The main features of the Beyerdynamic 108669 include: Replacement foam plate for the Beyerdynamic DT100 / DT102 / DT 108 / DT109 type headphones Easily fitted Useful as backup and maybe a hygienic cleanup in busy studios |
| |  | | Beyerdynamic DT100 spare part earpads packed in pairs pack contains: 1 x 407.003 - Earpads (Pair) 1 x 108.669 - Infills (Pair) |
| |  | | 1x nut,bolt & washer Scarring and scratching of the front panel is eliminated Easy to install Normally no need to disconnect any cables |
| |  | | Zoom APH-2n Handy Accessory Package for Zoom H2n — Zoom introduces the APH-2n as the official optional accessory package for the H2n Handy Recorder. More Details: The APH-2n features a variety of accessories that make it easier for you to capture your recordings. The kit includes a wired remote control with an extension cable, windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and mic clip adapter. Included Accessories: Wired remote control with extension cable Windscreen AC adapter (USB type) USB cable Adjustable tripod stand Padded-shell case Mic clip adapter The APH-2n's wired remote can be used to start, stop and pause recordings, as well as to add marks. It?s also useful in preventing handling noise. Its windscreen will reduce the occurrence of wind, breath sounds and popping noises in your recordings, as well as keep the H2n's five mic capsules clean. Using the package's USB connector type AC adapter to power the H2n is easy and convenient. The included USB cable enables you to connect your H2n to your Mac or PC for rapid file transfer, editing, playback and sharing, as well as to use it as a USB microphone and you record directly to your computer. The APH-2n's adjustable tripod stand is compatible with the H2n?s fixed tripod mount, making the recorder versatile in a variety of stationary functions. Utilize the kit's padded-shell case to protect our most innovative recorder ever. Lastly, the APH-2n provides a mic clip adapter allowing your H2n to be easily attached to any standard mic stand. If you think your H2n is handy now, wait until you accessorize with the APH-2n accessory package. |
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