 | |  Two-sided fold-out chart that represents the entire keyboard of the piano with each piano key named and its corresponding note on the grand staff for five octaves. Side One may be placed on the piano above the keys and Side Two may be used away from the piano for additional review. |
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 | | Individual theory papers for the young beginner, lively games and puzzles to hold the young player's attention and interest. |
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 | | Individual theory papers for the young beginner, lively games and puzzles to hold the young player's attention and interest. |
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 | | Chester’s Music Puzzles is an entertaining series of clear and structured puzzles and questions, by Carol Barratt, designed to help young instrumentalists master the basics of musical theory. Each illustrated set of contains ten question papers, information for teacher and parents and a certificate of achievement for the pupil. These puzzles also take into account limited reading and writing skills of younger children. Each book corresponds with the matching Chester Piano Book. This is Set 1 which covers: clefs, staves, lines and spaces, musical alphabet, bars and bar lines, stems, note and rest values, tied notes, chords, flats and sharps, phrase marks and dynamics. Each book corresponds with the matching Chester Piano Book. |
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 | | Great for helping children learn the musical alphabet and various symbols while having fun. The plastic wallet contains more than 60 durable cards with musical signs, notes on treble and bass clefs, time signatures and rests. Suggestions for games and activities are included. |
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 | | The most contemporary music dictionary on the market, comprising: Notation and theory terms, Instruments, including folk and ethnic, Pop music, electronic music and music business terms. More than 450 capsule biographies of composers and musicians, noting dates of birth and death, nationality, historical period, areas of composition and major works. Also includes Instant at-a-glance summaries of the essentials of music: Notation signs and symbols, Scales modes and keysignatures. |
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 | | Quick Guide to over 500 Essential Musical Terms. This handy musical dictionary includes musical terms & reading key signatures. |
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 | | This series is designed to prepare musicians for exams. Information is presented in bitesize sections, and each volume builds on the work of the last. This book presents the rudiments of theory divided into short chapters. There are revision chapters, covering two topics at one time. The book is interspersed with cheerful illustrations, making learning more fun. |
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 | | Specifically suited for children aged 4-7, this book presents music theory using colourful illustrations and stickers for the exercises. Children will derive much pleasure from these books. |
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 | | Lina Ng Theory Made Easy For Little Children - Level 2 |
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 | | A colourful, imaginative and highly absorbing introduction to music theory for the younger student. Packed with exciting exercises and entertaining characters, this is the ideal introduction to theory for a young instrumentalist. |
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 | | A colourful, imaginative and highly absorbing introduction to music theory for the younger student. Packed with exciting exercises and entertaining characters, this is the ideal introduction to theory for a young instrumentalist. |
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 | | A colourful, imaginative and highly absorbing introduction to music theory for the younger student. Packed with exciting exercises and entertaining characters, this is the ideal introduction to theory for a young instrumentalist. |
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 | | Maureen Cox presents the theory of music in a step-by-step, straightforward way that is full of fun without being frivolous. This book is for anyone who wants to have fun learning the theory of music. |
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 | | This book is an essential reference for anyone learning to sing or play an instrument, studying the theory of music or revising for examinations. You can look up key signatures, major and minor scales, intervals, ornaments and instruments of the orchestra. It is also a great help with writing rhythms and composing melodies. Two of the sections at the end of the book cover the key French, German and Italian words needed for grades 1-5. Attractive layout with clear examples and illustrations. All major and minor scales ascending and descending. Ornaments explained with easy-to-follow examples. A guide to writing rhythms and composing melodies. A comprehensive list of musical terms and signs. |
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 | | Essential practice for all students of the ABRSM theory examination for this grade. Students are given two hours to complete their answers to the seven questions given in each of the four papers. |
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 | | Essential practice for all students of the ABRSM theory examination for this grade. Students are given two hours to complete their answers to the seven questions given in each of the four papers. |
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 | | Essential practice for all students of the ABRSM theory examination for this grade. Students are given two hours to complete their answers to the seven questions given in each of the four papers. |
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 | | The Music Theory In Practice series has helped more than one million musicians worldwide to learn about the notation and theory of music. Now fully revised, this workbook remains the best way to prepare for the Associated Board's Grade One Theory Of Music Exam, offering: A clear explanation of music notation. Straightforward language throughout. Many worked examples and practice exercises. |
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 | | The indispensable guide to theory from the Associated Board. Covers all topics required, with plenty of practice examples and simple, precise explanations. |
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 | | The AB Guide To Music Theory is intended to help people learning music to understand how music is written down, what the various signs and symbols denote, and what is meant by the common technical words used by musicians. Arising out of this, it provides an introduction to the basic elements in harmony and musical structure. In the main, this book deals with the subjects of the Associated Board's theory syllabus for Grades 1-5. However, for the sake of continuity, the information has not been broken up to correspond with individual grades. |
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 | | The AB Guide To Music Theory is intended to help people learning music to understand how music is written down, what the various signs and symbols denote, and what is meant by the common technical words used by musicians. Arising out of this, it provides an introduction to the basic elements in harmony and musical structure. In the main, this book deals with the subjects of the Associated Board's theory syllabus for Grades 6-8. However, for the sake of continuity, the information has not been broken up to correspond with individual grades. |
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 | | Aural Training in Practice offers valuable support to teachers preparing students for ABRSM Practical exams. The three volumes, covering Grades 1-3, Grades 4 & 5 and Grades 6-8, provide: information on what each test involves and what the examiner is looking for teaching hints and strategies, including warm-up material and ideas for integrating aural into lessons many practice exercises to prepare students for the exam CD recordings of all practice exercises, and examples in two or more parts, presented by an ABRSM examiner answers, both recorded and printed where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural Training in Practice offers valuable support to teachers preparing students for ABRSM Practical exams. The three volumes, covering Grades 1-3, Grades 4 & 5 and Grades 6-8, provide: information on what each test involves and what the examiner is looking for teaching hints and strategies, including warm-up material and ideas for integrating aural into lessons many practice exercises to prepare students for the exam CD recordings of all practice exercises, and examples in two or more parts, presented by an ABRSM examiner answers, both recorded and printed where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | This series of books by Ronald Smith, provides clear, structured guidance for candidates preparing for the aural tests in the Associated Board's practical examinations. |
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 | | This introduction to essential elements of music is ideal for students preparing for examinations, as well as an excellent resource for everyone learning to read music. In this book you will find: a step-by-step presentation of the basic facts of music theory; a grade-by-grade format; clear, easily-understood explanations; vital information suitable for music students of all ages and abilities; invaluable support material for Grades 1-5 of the Associated Board Theory of Music syllabus. |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 1–3 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 4-5 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 6 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 7 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 8 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 1–3 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 4-5 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 6 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 7 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Aural tests are an integral part of all ABRSM Practical graded music exams. The Specimen Aural Tests provide teachers and students with many practice examples of the tests to use as part of a music lesson or when preparing for an exam. This volume covers Grades 8 and includes: practice examples for each test in a range of musical styles the examiner rubrics (the exact words that will be used by the examiner to deliver the tests), so that candidates can be fully prepared for what will happen on the day descriptions of the tests as they appear in the syllabus model answers, where appropriate, as a guide to the sort of responses that would be successful in the exam |
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 | | Jazz Piano From Scratch is a complete step by step guide to playing jazz with confidence and style. Designed for the complete beginner, it breaks down the process into simple yet fun activities, with many musical examples to illustrate the points made. The accompanying CD provides examples, activities and some great trio paying to use as a backdrop to your own work. The book deals with rhythm, harmony, melody, structure, chords and changes, modal jazz, blues style, chord substitutions, bebop, style and creativity, improvisation techniques and control. These skills can be developed by any musician, and the book is designed to ease all players into jazz. It stands also as an indispensable companion to the Board's jazz piano syllabus, examining in Part III the different components of the exams and showing you how to prepare yourself thoroughly. |
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