The Mackie DL1608 is the next-generation compact digital live sound mixer that merges Onyx mixer technology with tactile iPad control. The concept revolutionises live sound mixing allowing full venue mobility, decoupling the engineer from the traditional ‘fixed’ mixing position.

Packed with functionality, the DL1608 features 16 Onyx mic preamps, 6 aux sends, and a main stereo output wrapped in low-noise, high-headroom analogue circuitry. This paired with the high-end 24-bit Cirrus Logic converters provide pristine high-resolution audio throughout.

Use the powerful on-board DSP processing to refine your sound, with EQ, gate and compression on all mic/line inputs - global reverb and delay processors - and a comprehensive graphic EQ and compressor/limiter on the outputs.

The DL1608 comes supplied with the Mackie Master Fader App that brings all mixer functionality direct to up-to 10 iPads simultaneously, allowing multiple users to optimise the environment. Go into the crowd and tweak the FOH mix, allow band members to control their own monitors, test monitors prior to the gig and so on. Route audio through the dedicated iPad channel for pre-show music, create mix snapshots, channel presets and even record the mix straight to your iPad. Use the included strip icons to identify channels or create your own by taking pictures of band members - the possibilities are endless.

The Mackie DL1608 is a truly ground-breaking platform that will revolutionise and streamline the way you work.

The Mackie DL1608 main features include:

Ultra-low noise design with highest possible headroom
16 Onyx microphone preamps
4 mic/line combos (channels 13 to 16)
6 auxiliary sends
Stereo main output
24-bit Cirrus Logic converters
4-band EQ, gate and compressor on channel inputs
Global reverb and delay processors
31-band graphic EQ with compressor limiter on main outputs
Use up to 10 iPads simultaneously
Ground-breaking Master Fader App
Wired or wireless mixing from anywhere
Full recall except mic pre gains
Dedicated iPad channel
PadLock feature for fixed install
Weighs 3.2kg
iPad not included

Let's face it. If you could fit one of our flagship Onyx 1640i consoles into your workspace and budget, you probably would do it. But that shouldn't mean you have to settle for the cheapest, plastic 2x2 interface available. We've spent serious time and research creating the Onyx Blackjack Premium USB Audio Interface. It delivers the same proven Onyx preamps as our other flagship Onyx products in an ultra-compact, ergonomic desktop design perfect for your home studio. Other professional features include high-end AD/DA converters, built-in DIs, phantom power and true analog hardware monitoring of inputs for hassle-free zero-latency tracking, in either mono or stereo. The USB connection provides bus-power to the Blackjack, eliminating the need for another cable run. Plus, it's Mac/PC friendly and ready for most major DAWs right out of the box. So, don't settle. Be smart and check out the Onyx Blackjack - the utmost in sonic quality and simplicity.

BOUTIQUE-QUALITY ONYX PREAMPS
Great recordings start with high-quality preamps and you will simply not find preamps at this price range better than Blackjack’s Onyx preamps. We invested significant R&D efforts into developing our flagship Onyx mic preamps. Found on our most expensive studio consoles, Onyx pres are designed to meet or surpass expensive, esoteric standalone mic pres in terms of fidelity, headroom and transparency – as well as improved radio frequency (RFI) rejection and ultra-wide dynamic range. And with a full 60dB of available gain, would-be competitors are left in the dust.

HIGH-QUALITY AD/DA CONVERSION
Quality doesn’t stop at the boutique Onyx preamps. The Onyx Blackjack uses Cirrus Logic® converters offering 114dB dynamic range (A-weighted) – a specification other companies sometimes charge thousands of dollars to achieve. Our preamp circuitry is aligned precisely with the onboard analog-to-digital conversion to always provide you with the most headroom and the lowest noise and distortion possible, a real sonic benefit that is often ignored on smaller interfaces.

ZERO-LATENCY RECORDING
Latency is evil and must be punished. If you have recorded with digital gear, chances are you feel the same way. It’s a pesky computer-induced delay that can quickly kill the vibe of any recording session. Blackjack puts this issue to rest once and for all, featuring a true analog monitoring path directly from the preamps to your studio monitors and headphones. This means you can track while listening to the direct analog source with zero routing. Not only that, it also means you can adjust your buffer settings to maximize your computers processing ability. Oh yeah, Blackjack also allows you to track with zero latency in either mono or stereo, so you can get the right vibe when recording stereo signals like acoustic guitars and keyboards.

PROFESSIONAL TOOLS
No other ultra-compact desktop interface delivers as many professional features as the Onyx Blackjack. Both channels double as built-in DIs for direct connection of guitars, basses, keyboards, drum machines, etc. Both channels also deliver 48V phantom power, so you can use studio-quality condenser mics with no problem. The studio monitor and headphone outputs have independent level controls for maximum flexibility. Plus, the Onyx Blackjack is bus-powered via USB, so there’s no power supply to lose or another cable cluttering your workspace. It also comes with Mackie’s Tracktion 3 Music Production software, so you can get started recording right away.

ERGONOMICALLY INCLINED
Most desktop interfaces have a serious flaw: their construction. First off, most are made of cheap, breakable plastic. Onyx Blackjack features a sleek, powder-coated all-metal chassis that is truly “Built-Like-A-Tank”. You could literally use it as a hammer to smash the competition (not recommended at your local store). Second, when they are sitting on your desk, the competition lies flat, with no way to read the markings on the front panel. Have you ever accidently turned the wrong knob during your session? Not fun. The Onyx Blackjack sits with a 25-degree inclination, allowing for full view of all controls at all times, meaning more recording time and less hassle. A good idea – right?

So there you have it. An extremely simple, but very powerful desktop interface that delivers all the features you want in a design that could fit in your man purse. Small studio. Big solution. Onyx Blackjack.

Studios, regardless of size, can’t usually afford to buy all the gear they want at once. That’s why investing in gear designed with performance, flexibility and expandability in mind is critical. Mackie’s Onyx Blackbird Premium 16x16 FireWire Recording Interface delivers industry-leading recording quality via eight boutique-quality Onyx preamps and high-end 24-bit/96kHz conversion in a sleek, rackmount design. Two front panel “Super Channels” provide quick access to crucial recording tools and feature true analog hardware monitoring, in both mono and stereo, for hassle-free zero-latency recording. The additional mic inputs, onboard 8x8 ADAT and word clock I/O provide easy integration into any digital or analog setup. For more complex sessions, the powerful Blackbird Control DSP Matrix Mixer allows for quick mix creation and routing of any input to any output. Plus, since Blackbird works as a standalone 8-channel preamp rack, you’ve got a single box solution ready for integration into your studio or digital live setup.

BOUTIQUE-QUALITY ONYX PREAMPS
Great recordings start with high-quality preamps and you will simply not find preamps at this price range better than Blackbird’s Onyx preamps. We invested significant R&D efforts into developing our flagship Onyx mic preamps. Found on our most expensive studio consoles, Onyx pres are designed to meet or surpass expensive, esoteric standalone mic pres in terms of fidelity, headroom and transparency – as well as improved radio frequency (RFI) rejection and ultra-wide dynamic range. And with a full 60dB of available gain, would-be competitors are left in the dust.

HIGH-QUALITY AD/DA CONVERSION
Quality doesn’t stop at the boutique Onyx preamps. The Onyx Blackbird uses Cirrus Logic® converters offering 114dB dynamic range (A-weighted) – a specification other companies sometimes charge thousands of dollars to achieve. Our preamp circuitry is aligned precisely with the onboard analog-to-digital conversion to always provide you with the most headroom and the lowest noise and distortion possible, a real sonic benefit that is often ignored on interfaces.

PROFESSIONAL DIGITAL I/O
Studio growing? Blackbird can work into your studio in a number of ways. It’s the perfect front end to your DAW using the FireWire connection. Plus, if you get more preamps later (like another Onyx Blackbird), you can simply connect them via Blackbird’s integrated 8x8 ADAT I/O, delivering a full 16-channel 24-bit/96kHz resolution recording solution. There’s also onboard word clock I/O perfect for any scenario incorporating multiple pieces of analog/digital gear. That means Blackbird is also an ideal standalone 8-input preamp unit for integration into a larger studio or digital live setup.

TWO FULL-BLOWN
SUPER CHANNELS
Even though there’s tons of available I/O on Blackbird, the two front-panel “Super Channels” offer extremely useful features, right within your reach. First off, both channels utilize combo inputs, allowing you to easily swap between mic, guitar, keys, drum machines or whatever comes up during the session. Dedicated 48V phantom power is perfect for any studio-quality condenser microphone. And because these inputs feature true analog hardware monitoring, in either mono or stereo, you can route the signals directly to your studio monitors or headphone, bypassing the need for a matrix mixer, so you and your artists can get right to work. Zero-latency overdubs have never been easier to setup or control.

POWERFUL BLACKBIRD CONTROL DSP MATRIX MIXER
The Onyx Blackbird is powerful all on its own. However, for more complex applications, Mackie provides you with the custom-designed 18x16 Blackbird Control DSP Matrix Mixer application. This powerful graphic user interface (GUI) allows for customization and ease-of-use that the competition is simply unable to achieve:

Route any input to any output at any volume and pan orientation
Apply custom names to all channels and output mixes for quick, at-a-glance reference and control
18x16 design, offering a stereo playback stream routable to all monitoring paths
All DSP mixer I/O is fully customizable in this powerful, one-click solution
This intuitive software looks and operates just like an actual mixer, with the ability to pan, solo, mute and control various output levels. Each stereo output is controlled by a dedicated 18x2 mixer, with each output mixer accessible at the touch of a button. Blackbird Control also indicates input levels and peaks, allows for mono/stereo linking of adjacent channels…and more. It not only simplifies the engineer’s job, it is powerful, sleek and fun to use.

TOUGH BUT FRIENDLY
In true Mackie tradition, Onyx Blackbird features a “Built-Like-A-Tank” design, with a powder-coated, all-steel chassis that can get bumped around with the best of them. It’s ultra-compatible, working with any DAW that supports WDM/ASIO (PC) or Core Audio (Mac). This includes popular applications like Logic®, SONAR™, Cubase®, Ableton® Live, and Final Cut Pro®. It also comes with Mackie’s Tracktion 3™ Music Production Software to get rolling right out of the box.

So, if you are looking for a new mothership for your studio, or want to expand upon the setup you already have, consider the Onyx Blackbird. Tons of boutique-quality pres, unmatched AD/DA conversion and a host of flexible, professional features…it’s the perfect solution for any studio.

Designed by the same team that produced the best-selling Mackie SRM450v2, the Mackie Thump Series Powered Loudspeakers deliver deep low-end and real power in a lightweight design that is extremely portable. Class-D Fast Recovery™ amplification pushes unmatched power to the high-frequency compression driver and bass-pounding high-output woofer. Plus, Mackie Active processing, including a precision crossover and driver time-alignment provides total optimization for maximum system efficiency. Versatile by design, Thump loudspeakers feature a user-adjustable 3-band EQ for tone control and, since they can be pole-mounted or used as a wedge, the Thump Series loudspeakers represent the best value available for a complete stage solution.

More than Just a Powered Speaker Cabinet

Sure, Thump loudspeakers have a built-in power amp—in fact, each have two of them. Our Class-D Fast Recovery™ low-frequency amp drives the woofer more efficiently with less heat byproduct than other speakers. But so much more goes into a Mackie loudspeaker design than just amplifiers. Mackie Active technology (based on the popular SRMv2 Series) divides the frequencies via a precision 2-way crossover and also time aligns the signals so low-frequency and high-frequency signals arrive in sync to every member of your audience. Active compression provides a first line of defense for the drivers and thermal circuitry protects the amplifiers and power supply should things get too hot. All the onboard electronic systems work together dynamically to produce superior quality sound previously unavailable in this price range.

Portability Meets Versatility

For most people, portability is paramount. That’s why Thump loudspeakers are ultra-compact and lightweight, especially the TH-12A which is less than two feet tall and weighs in just over 25lbs. And regardless of application, there’s a right Thump for the job. Both deliver unmatched low end, that’s why they are Thumps. But, if you are a DJ and really need to bump, the TH-15A’s large woofer is the perfect choice. For vocal-only scenarios and applications with acoustic instruments that require superior midrange, the TH-12A shines.

Not only are Thump loudspeakers superb PA enclosures, they also make a superior monitor wedge—just lay the cabinet on its side and turn it up. The compact, lightweight design means zero strain, whether mounting it on a high pole or loading up the van. Ultra-wide frequency response makes them ideal as a keyboard, vocal or even bass guitar monitor. Thump loudspeakers have incredibly smooth response and dispersion over a wide range of frequencies, so you can crank ‘em up and they still sound smooth and never harsh.

Exceptional Sonic Performance

Thump Series powered loudspeakers put out a tremendous amount of sound for their size and price tag. The 2-way ported design generates ample quantities of chest-pounding bass, and their 1" compression driver ensures smooth, wide dispersion. We even inserted a 3-band equalizer at the input to give you all the tonal control you could ever want, with an available 15dB boost or cut at 80Hz (low shelf), 100Hz to 8kHz (sweepable mids) and 12kHz (high shelf). With their extremely versatile EQ, you can add some extra thump to that kick drum, bring out the sizzle in your hi-hats, add pop to vocals or correct acoustic anomalies in the room.

Protecting Your Investment

Because we know you demand the most from your speakers, we added some extra circuitry to keep your Thump loudspeakers performing at their best, even when pushed really hard for long periods of time. Each driver has its own transparent compression circuit, which helps protect them from damaging transient peaks. An over-excursion filter, inserted just before the low frequency amplifier, protects the woofer from bottoming-out when the low-end is driven to the maximum. This means you can hit them hard without fear of thermal damage. We know things can get pretty hot in the real world, so if the electronics do overheat, separate thermal switches activate and shut down the high and/or low frequency amplifiers until they cool down. These safeguards ensure long life and great-sounding loudspeakers you can always count on.

Live sound sometimes seems like a wild, uncaged animal—very hard to control. With the SRM Series Portable Active Loudspeakers, we came up with the technology to help tame the beast, so you could focus on your performance, instead of being distracted by constant EQ and level tweaks. Now, with the SRM450v2, live sound is whipped completely into submission, giving you more control over your shows than ever. Thanks to its all-new design—from adding new amps and transducers to a new lightweight power supply—the SRM450v2 surpasses the performance of the original SRM450 to deliver pure studio monitor sound at more powerful, full-on loudspeaker levels. We kept it affordable, too—even though the SRM450v2 is a complete redesign from inside out, we retained the musician-friendly price tag. With the SRM450v2, live never sounded so good …or behaved so well.

The “SRM” Stands for Sound Reinforcement Monitor
Over a decade ago, Greg Mackie and a dedicated team of engineers set out to create a portable loudspeaker that could deliver studio monitor sound quality. Unlike a relatively small, acoustically controlled studio where the “sweet spot” is well defined, live venues vary greatly, and most are far from acoustically balanced. Despite the challenges, after two years of extensive research and development, the first Sound Reinforcement Monitor was born—a loudspeaker that truly lived up to its name. The SRM450v2 continues the SRM450’s tradition of studio monitor sound quality—and trumps it—to deliver sound that makes any venue seem like a well-tuned studio.

Ultra-Wide Dispersion
Undoubtedly you’ve been to a show where the sound is all over the map—stand in front of the band, it sounds okay, but move a little to your left or right and all of a sudden you’ve got mud in your ears. When the SRM450v2 loudspeakers are on stage, no matter where you stand, you hear sound with impeccable stereo imaging, depth of field and definition—at full-on loudspeaker levels. This is due to the SRM450v2’s wide dispersion pattern, which is achieved through its multi-cell horn throat aperture. To those of you whose eyes just glazed over, let’s just tell you what it does—the multi-cell horn throat aperture allows for much wider and more even dispersion of high and mid frequencies, so whether you’re listening intently front and center, or playing it cool on the perimeter, you’ll hear the same great mix.

Want to know more? Then read on.

Stunning Bass via Servo Feedback Controlled, All New Lightweight Woofer
Many portable loudspeakers produce lows that lack substance—they just don’t have it in ‘em to give you that chest-pounding punch. But the SRM450v2 delivers astonishingly deep and defined bass frequencies. In fact, it outperforms the original SRM450, which was renowned for its ability to deliver real low-down sound. That’s thanks to the SRM450v2’s servo feedback technology combined with its all-new woofer and 3-inch voice coil.

Based on Mackie's award-winning HR824mk2 studio monitor technology, the servo feedback damping electronic circuit within the SRM450v2 “locks” the woofer in place with the positive and negative outputs of the amplifier. This creates a solid direct-coupling that allows the SRM450v2 to deliver extremely deep bass from a small cabinet. And the new lightweight woofer is lighter in mass, but still delivers the same deep low punch you expect. The new longer 3-inch voice coil allows the woofer to handle heat more efficiently, so it produces a consistently full dynamic range—even at maximum output. So you get full, thumping, detailed lows, even after long hours of use at near-peak volumes.

Super low distortion thanks to Mackie’s own Class-D, Fast Recovery Amplification With its combination of Class D topology and Fast Recovery circuitry, the SRM450v2 operates with incredible efficiency, and delivers much more power and clarity. With this “Class D Fast Recovery amplification,” as we’ve lovingly (and creatively) dubbed the technology, the SRM450v2 handles maximum volume—and associated heat—with ease, so there’s no unwanted noise, and no thermal problems. Even after hours of sustained use at near-peak levels, your sound remains clean and your SRM450v2 keeps cool. Read more.

Legendary Active Electronics
In a passive loudspeaker setup, an external amplifier is connected to a passive crossover inside the speaker, which distributes frequencies to the transducers. Because power amps and transducers vary widely in sound and quality, trying to match the right power amp with the right speaker can be challenging, especially if you’re not a professional acoustic technician—or rolling in cash so you can hire one. Our proven Active design does all the work for you. With our SRM450v2, you get a complete loudspeaker system, with complex electronics and carefully chosen components, all precisely tuned and tweaked to work together. The result is a loudspeaker with phenomenal sound quality and power, that’s completely plug-and-play—no EQ needed. Learn what’s inside.

Built-in Protection Circuitry for Long Life
We know our Active loudspeakers are pushed hard—often to, or beyond, the limit. That’s why we have reliable protection circuitry built in to every one. The SRM450v2 employs a built-in limiter for less distortion at peak levels, and an automatic sliding high pass filter to give you that little bit extra volume when the crowd demands more. And thanks to the advanced technology of its power supply and Class-D amp topology, the SRM450v2 is greater than 90 percent efficient—more of the power from your outlet goes straight to the transducer, without the power supply and amp giving off loads of heat. Less heat means better performance, and longer life.

Versatile, Portable, Tough—And They Look Good, Too
When designing the SRM450v2, we considered every angle. From every angle is just how you can position it, too—pole-mount it from the bottom, fly it vertically or horizontally via its integrated M10 mounting points, or use it as a wedge monitor. With all this flexibility, it’s the most versatile portable Active loudspeaker around. And now moving it into place is easier than ever. Weighing in at about 40 pounds—11 pounds lighter than the original SRM450—you’ll have plenty of strength left over to play after loading in. Plus, the SRM450v2 retains its rugged, Mackie “built-like-a-tank” durability, thanks to the polypropylene cabinet. So not only do you get a portable loudspeaker that sounds phenomenal, you get one that’s tough and portable for the road, and handsome enough for the show.

The ProFX8 offers a complete and truly professional feature set, perfect for solo performers, small performing acts or any small venue that needs it all, without the hefty price tag. There’s even USB I/O for recording the set. The “Pro” in ProFX stands for Pro. Professional tools, rugged build quality, small footprint…everything you need.

The ProFX8 is fully stocked, featuring four Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated effects, precision 7-band GEQ and more. All of these great features are housed in a rugged enclosure, in true Mackie “Built-Like-A-Tank” tradition. The ProFX8 has the right set of great-sounding tools to make your gig sound better and run smoother.

Live Sound Toolbox
Your job is to make things sound good. Maybe you’re a solo performer playing covers at a Vegas hotel bar. Perhaps you have the honor of being the “engineer” of your band and not only do you play bass, you’re also in control of the mix. No matter what the situation is, you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. The ProFX8 comes with all these features—it is truly the perfect live sound toolbox.

“Gig-Ready” RMFX™ Effects
The all-new RMFX™ (Running Man FX) 32-bit effects processor brings “Gig Ready,” useable effects to your mixes. Why scroll through hundreds of bizarre effects, like “ghost ambience?” Yeah, like anyone even knows what that means. Or how about winners like “delay+phaser2”, which you’ll never use in a million years. Those other mixers will leave your fingers raw from all the scrolling you have to do. The RMFX™ processor features 16 solid FX that are known for their utility and usability. Small, medium and large room reverbs with a mix of a warm and bright characteristics puts your mix in the right space. Simple, rich choruses and an array of practical delays enable you to create professional mixes without requiring a two-hour sound check. Basically, we’ve delivered the choicest parts of a full rack of gear, right at your fingertips, that is easy to master, allowing you to look and sound really good at your next gig. Really, really good.

Record and Stream via USB
With all the right tools for the job, the ProFX8 allows you to create memorable mixes, but even with all those features, portability is paramount and you can’t be burdened with lugging around additional equipment. No worries, integrated USB I/O takes the pain out of recording. Just connect the ProFX8 to a laptop, start up your included copy of Tracktion 3 Music Production Software (or almost any DAW software out there) and you can record the whole mix. You can even stream music from your laptop during breaks. Once you get home, record more tracks or use the ProFX8 to playback some tunes during the next BBQ. Unless you’re a vegetarian…not that there’s anything wrong with that.

The innovative “USB Thru” switch allows for an impressive live/recording setup when using performance software like Ableton Live or Reason. When gigging, stream the output of your performance software (or iTunes, for that matter) into the ProFX8. Combine that signal with anything plugged into the mixer, and send the whole thing back to the computer for recording. Archiving your integrated live performances has never been easier!

Legendary Mackie Durability
Mackie is known for building mixers that are “Built-Like-A-Tank” and the ProFX8 is no exception. All of its tender bits are securely encased in a solid steel chassis. No only that, the impact-resistant side pieces are made of ultra-tough ABS, adding extra protection where it is most likely to fall…not that you drop things.

PA Made Painless
Simple is better. A utility mixer like the ProFX8 is an integral part of a ludicrously simple Mackie PA system that sounds great. The only choice is whether to go “active” or “passive” with your loudspeaker setup.

Active— Just add Mackie SR, SA, SRM Series Active Loudspeakers or SWA Series Active Subwoofers

Passive — Add a Mackie FR or FRS Series Stereo Power Amplifier and S200 or C Series Precision Passive Loudspeakers

The legendary quality of Mackie loudspeakers combined with the utility of the ProFX8 is a lethal combination that will suit just about any size venue. Just add enough speakers, and you’re golden.

Budget Friendly
The ProFX Series Compact Effects Mixers strike the perfect balance. They offer all the right tools to get the job done well, sport the popular compact footprint that Mackie is known for and are also the most budget-friendly of all the Mackie sound reinforcement mixers. Our competition either doesn’t have the expansive feature set of the ProFX Series, or they simply will not survive the test of time. You are investing in your mixer and the ProFX will be there for you at every gig, ready to roll.

People who bought this item also bought:

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